Arcadia
by Tom Stoppard

Feb. 22, 23, Mar. 1, 2, & 3
Curriculum
Faculty
Callboard
Home

Theatre Department, Washburn University

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Arcadia  illustration
2001-2002
return to Productions
Arcadia 1
Arcadia 5
Arcadia 2
Arcadia 6

The Cast
Thomasina Coverly. . . . . Melinda Kay Eshbaugh
Septimus Hodge. . . . . Nathan Scholl
Jellaby . . . . . Jesse Mundy
Ezra Chater . . . . . David DeLoach
Richard Noakes . . . . . Chris Schultz
Lady Croom . . . . . Sara Phillips
Capt. Brice RN . . . . . Carl Dillman
Hannah Jarvis . . . . . Lori Bogner
Chloe Coverly . . . . . Mary Shirazi
Bernard Nightingale . . . . . Jason Puff
Valentine Coverly . . . . . Joshua Dixon
Gus Coverly/Augustus Coverly . . . . . Dustin Smith

Time: 1809 and The Present
Place: A large country house in Derbyshire, England


Production Staff
Director . . . . . Paul Prece
Set & Lighting Design . . . . . Tony Naylor
Costume Design . . . . . Deborah Rooney
Costumer . . . . . Sharon Sullivan
Technical Direction. . . . . . Tony Naylor
Scenec Studio Supervisor . . . . Lynn Wilson
Stage Manager . . . . . Monica Gutierrez
Dialect Coach. . . . . Ted Shonka
Arcadia" Art . . . . . Barbara Waterman-Peters
Publicity . . . . . Paul Prece
Box Office Supervision. . . . . Penny Weiner
Theatre Shop/Crew . . . . . Audra Cordon, Holly
Corbett,James Funkhouser, Lissette Gome,
Andrew Jacobson, Lindsey Johnson, Peggy Lohr, Laural Suminski

ARCHIVE
Tom Stoppard is a wordsmith with a canny sense of the theatrical and a unique and distinctive style. His verbal wit displays itself prominently in the “play” of the ideas which he engages. His dramaturgy is sometimes described as “serious comedy.” Philosophical issues abound and are examined with wit, puns, jokes and wordplay.

Blending the past and the present, he sets the past of this play in the late eighteenth century, at the nexus of the aesthetic shift from the neoclassic preference for balance and grace to the nineteenth century romantic/gothic taste for chaos, disorder, and primitivism. He creates fictional characters who inhabit both the nineteenth and twentieth centuries, linking them by historical figures including the mathematician/astronomer Sir Isaac Newton, the rebellious/romantic poet Byron, and the landscape gardener Capability Brown. In a play which is at once comic and tragic, Stoppard asks the audience to juggle the sensibilities of three centuries simultaneously while we also ponder deeply disturbing questions about the nature of the universe and the essence of human relationships. Not for the intellectual faint of heart (mind?), Stoppard challenges us to examine the very premises of our existence.

J. Karen Ray Professor of English




Arcadia
, the name of a real and picturesque region in Greece
, is used in literature to connote an ideal land of rustic peace and contentment. It suggests rural withdrawal and simple happiness and is synonymous with the terms bucolic or pastoral. Tom Stoppard plays with the meaning of this term and a number of other even larger concepts—including history, literature, science, mathematics, and the development of modern thought—in his typically mind-bending play, Arcadia.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 


[ WU Home ] [ Directory & Information ] [ Emergency Contacts ] [ Site Map ] [ Contact WU ] [ Important Policies ]  [ Accessibility ]
© 2000-2009 Washburn University, 1700 SW College Ave, Topeka, Kansas 66621 (785) 670-1010
Contact webmaster@washburn.edu with questions or comments.